giovedì 14 marzo 2024

"Le Joli C​œ​ur"



"Le Joli Cœur” is a re-issue of an album released by Webbed Hand Records in 2008
webbedhandrecords.com/wh115-oes-le-joli-coeur/

credits

released March 11, 2024

The music - commissioned for an exhibition of works by Jean Cocteau - is entirely based on the final piano cadenza of "Now nothing" by the Penguin Cafe Orchestra.

It features contributions by Simon Jeffes, Marco Lucchi, Roberto Corsini, Mario Nobile, Dario Derek Lucchi, Lucio Bosi, Giampaolo Violi, Giza (Bram de Jonge), Alejo Nobili, _ , Umiomiomiomio (Umio Miyazaki), Hidekazu Wakabayashi, Christian Vasseur, Jimmy Lolek, Rainier Lericolais, Duet for Theremin and Lap Steel (Scott Burland) and Louise Bronx.

*

A project by Marco Lucchi

"A m​ú​sica, sim a m​ú​sica​.​.​.​" [piano patterns n​°​15]


 this is the seventh album dedicated to the second series of my 'piano patterns'


for further infos and to listen to the previous episodes, please go to
marcolucchi.bandcamp.com/album/piano-patterns
marcolucchi.bandcamp.com/album/a-inac-o-consola-de-tudo-piano-patterns-n-9
marcolucchi.bandcamp.com/album/a-liberdade-a-possibilidade-do-isolamento-piano-patterns-n-10
marcolucchi.bandcamp.com/album/viver-ser-outro-piano-patterns-n-11
marcolucchi.bandcamp.com/album/os-beijos-merecidos-da-verdade-piano-patterns-n-12
marcolucchi.bandcamp.com/album/a-gua-da-chuva-desce-a-ladeira-piano-patterns-n-13
marcolucchi.bandcamp.com/album/the-whole-constitution-of-my-spirit-is-one-of-hesitancy-and-of-doubt-piano-patterns-n-14

*

A música, sim a música...
Piano banal do outro andar.
A música em todo o caso, a música..
Aquilo que vem buscar o choro imanenre
De toda a criatura humana
Aquilo que vem torturar a calma
Com o desejo duma calma melhor...
A música... Um piano lá em cima
Com alguém que o toca mal.
Mas é música...

Ah quantas infâncias tive!
Quantas boas mágoas?,
A música...
Quantas mais boas mágoas!
Sempre a música...
O pobre piano tocado por quem não sabe tocar.
Mas apesar de tudo é música.

Ah, lá conseguiu uma música seguida —
Uma melodia racional —
Racional, meu Deus!
Como se alguma coisa fosse racional!
Que novas paisagens de um piano mal tocado?
A música!... A música...!

Fernando Pessoa
 

credits

released February 29, 2024

original piano composition by
Marco Lucchi

featuring reworks and re-interpretations from
M.Nomized
Pete Swinton
Mean Flow
Lärmschutz
Night Note
encym
Ostacoli Sonori
Wilfried Hanrath
idematoa
James Hill
sevenism

domenica 21 gennaio 2024

"fosfeni"


 

lampi di luce e di irrealtà

footages of wild movies

soundtrack for a film to come

sonic interferences

credits

released January 18, 2024

music by

Marco Lucchi : mellotron, piano, organ, synthesizers and found sounds

and

itwasthewires : modular synthesizers
idematoa : synthesizers
anon8924 : vocaloid and found sounds
Henrik Meierkord : cello

mercoledì 20 dicembre 2023

"La Musica è Sacra"


 

The album "La Musica è Sacra" is a studio remake of a performance given in Firenze in 2022, March 4th. Originally conceived as a tribute to the Italian songwriter Claudio Rocchi, it has become an ode to the spiritual power of Music.

credits*

*

Amazing eclectic ambient orchestra. Seven artists from three countries: Marco Lucchi, Marco Billi aka Jarguna, Dario Derek Lucchi, Ilaria Boffa and Massimo Amato from Italy; Henrik Meierkord from Sweden, and Wilfried Hanrath from Germany.
*

Marco Lucchi - mellotron, synthesizers and piano (1,2,4,5)

Marco Billi aka Jarguna - modular synthesizer and electronic percussions 
Henrik Meierkord - cello, zither and synthesizer (4,5)
Dario Derek Lucchi - french horn (1,2,5)

Wilfried Hanrath - bass, electric guitar and drums (1)

Ilaria Boffa - voice (5)

Massimo Amato - synthesizers (5)
*

Mastered by Marco Lucchi
Picture by Dionis Afonichev (Dionisaf)
Artwork and cover design by Dionis Afonichev (Dionisaf)

mercoledì 6 dicembre 2023

"Furore che sogna"


 Marco Lucchi : mellotron and synthesizers

credits


"Nel Museo nazionale romano di palazzo Altemps si conserva una testa in marmo che secondo la tradizione rappresenta un’Erinni addormentata. Gli occhi chiusi, i ciuffi dei capelli scarmigliati sulla fronte e la guancia, le labbra appena dischiuse, il volto della Furia – se di una Furia si tratta, sia essa Aletto, Megera o Tisifone – riposa quieto su un cuscino di buio marmo, come se sognasse.
Una furia che invece di gemere e urlare, scuotendo la chioma serpentina, chiude gli occhi e sogna, smentisce se stessa. Eppure proprio e soltanto il sogno o il sonno di una furia assomiglia al pensiero. Il pensiero non è soltanto contemplazione, è innanzitutto furore. Si dà pensiero, si dà contemplazione, solo se prima vi è stato furore, se guardando l’abominio degli umani e del mondo, la mente – diceva Bruno – discesa «ne la parte più inferna… si sente lacerare e sbranare». E solo se nel nostro eroico furore riusciamo a chiudere gli occhi e sognare, si ha vera quiete, si ha visione e teoria. I nostri sogni non sono allora fantasie a occhi aperti, che sappiamo ingannevoli e vane, ma verità a cui, anche se con gli occhi chiusi, non possiamo non credere, perché abbiamo prima visto la vendetta e l’errore. Il pensiero è questo acquietarsi del furore, è un’Erinni che sogna."

Giorgio Agamben

*

music by Marco Lucchi

lunedì 6 novembre 2023

"Haiku" [vol. 3]




this is the third volume of the sonic watercolors I have composed for the Naviar Haiku project

you can stream and download the previous albums of my 'haiku' pieces here:
marcolucchi.bandcamp.com/album/haiku
marcolucchi.bandcamp.com/album/haiku-vol-2

credits


music by
Marco Lucchi : piano, Mellotron, synthesizers and tape

with contributions from
Night Note : synthesizers and piano (1)
Stan Magendanz : synthesizers (3)
ikjoyce : synthesizers (8)


* thanks to the Naviar Haiku project for the suggestions
www.naviarrecords.com/about/naviar-haiku/

venerdì 20 ottobre 2023

"The whole constitution of my spirit is one of hesitancy and of doubt" [piano patterns n​°​14]


 


it is the sixth album dedicated to the second series of the 'piano patterns'
original piano composition by
Marco Lucchi
featuring reworks and re-interpretations from
M.Nomized
Pete Swinton
Mean Flow
Henrik Meierkord
Lärmschutz
Night Note
Vanessa Pettendorfer
Rosin Dust
idematoa
*
"It is necessary now that I should tell what manner of man I am. My name, it matters not, nor any other outward detail particular to me. Of my character aught must be said.
The whole constitution of my spirit is one of hesitancy and of doubt. Nothing is or can be positive to me; all things oscillate round me, and I with them, an uncertainty unto myself. All for me is incoherence and change. All is mystery and all is meaning. All things are «unknown» symbolic of the Unknown. Consequently horror, mystery, over-intelligent fear.
By my own natural tendencies, by the surroundings of my earliest life, by the influence of studies undertaken under the impulse of them (these very tendencies), by all this I am of the internal species of character, self-centred, mute, not self-sufficing but self-lost. All my life has been one of passiveness and of dream. All my character consists in the hatred, in the horror of, in the incapacity pervading all that is me, physically and mentally, for decisive acts, for definite thoughts. I had never a resolution born of a self-command, never an external betraying of a conscious will. My writings were none of them finished; new thoughts intruded ever, extraordinary, inexcludable associations of ideas bearing infinity for term. I cannot prevent my thought's hatred of finish; about a single thing ten thousand thoughts, and tenthousand inter-associations of these ten thousand thoughts arise, and I have no will to eliminate or to arrest these, nor to gather them into one central thought, where their unimportant but associated details may be lost. They pass in me;
they are not my thoughts, but thoughts that pass through me. I do not ponder, I dream; I am not inspired, I rave. I can paint, but I have never painted; I can compose music, but I have never composed. Strange conceptions in three arts, lovely strokes of imagining caress my brain; but I let them slumber there till they die, for I have not power to give them their body, to make them things of the world outside.
My character of mind is such that I hate the beginnings and the ends of things, for they are definite points. The idea of a solution being found for problems the highest, the noblest, of science, of philosophy, afflicts me; that aught might be determined of God or of the world horrorizes me. That things of most moment should be accomplished, that men should one day all be happy, that a solution might be found to the ills of society, even in its conception maddens me. Yet I am not evil nor cruel; I am mad and that as it is difficult to conceive.
Though I have been a reader voracious and ardent, yet I remember no book that I have read, so far were my reading states of my own mind, dreams of my own, nay, provocations of dreams. My very memory of events, of external things is vague, more than incoherent. I shudder to think how little I have in mind of what my past life has been. I, the man who holds that today is a dream, am less than a thing of today."
Fernando Pessoa
(originally written in English)